Employing a split screen triptych, AKA follows an 18-year-old working class boy who steals the identity of his employer’s son and integrates himself into the aristocratic circles of London in the 1970s.

A middle-aged museum guard locks eyes with a sexy young visitor, igniting a series of fantastical tableaux that wittily riff on race, sexual power dynamics, art history, gold lamé briefs, and Tom of Finland.

A poetic story of growth, death, and the choices that define us, The Business of Fancydancing reunites Spokane Reservation friends Aristotle Joseph and Seymour Polatkin sixteen years after their high school graduation.

Loosely based on a Japanese fairytale, an elderly couple on a farm in the 1920’s South find a little girl from the moon inside an ear of corn and raise her as their own.

When a guy's reflection escapes from his mirror, he gains a whole new perspective on his concerns about his appearance.

The underpaid “radical pervert” staff of a seedy hotel rises up in revolt, and by the time head elevator girl Maxine starts spouting union songs – “dump the bosses off your back!” – and Marxist maxims, you’ll be ready to join the cause of Elevator Girls in Bondage.

Filmmaker Todd Verow gives us a fast-paced survey of the images of sex available on the Internet via amateur webcams — as well as a look at the wide range of men who enjoy putting them there.

Alja, Žana, and Simona’s girls-only vacation on the Kolpa river, which forms the border between Slovenia and Croatia, gradually turns in a personal drama and the first painful lesson life teaches them.

Hush!, the latest feature from Japanese director Ryosuke Hashiguchi, opens with a scene that will seem all-too-familiar to many members of the Frameline audience: a naked man wakes up in a stranger's bed, searches the cluttered floor for the clothes he carelessly discarded the night before, and tries to make a quick exit before his host wakes up.

Sam Zolten's groundbreaking documentary follows Kade Farlow Collins, a sixteen year old transgender person residing in Tucson, Arizona in the early 2000s.

Many versions of the Carmen story have been told over the years, but when Karmen Geï debuted at Frameline26 in 2002, no one had ever experienced anything quite like its explosive mix of West African drums,...

The subtle emotion and rich, quiet beauty of his newest film reach depths rarely seen in contemporary love stories. It is a tale of two men's lives and of a powerful relationship that is strengthened, torn apart, and stretched again and again through a decade of intimacy, chaos, loss, confusion and passion.

Looking for Langston is a lyrical exploration — and recreation — of the private world of poet, novelist and playwright Langston Hughes (1902-1967) and his fellow black artists from the Harlem Renaissance.

Luster is a twisted LA comedy about unrequited love, featuring Jackson, a poet, who struggles with his crush on Billy, Derek, Sam, Jed, and his lesbian friend.

Sweetly romantic Gallic feature The Man I Love — a made for French TV film by Stéphane Giusti — is a combo gay coming-out saga and semi-tragic love story that sports a breezy, heartfelt appeal.

Notorious C.H.O., filmed live at Seattle's Paramount Theatre, cap­tures comedian Margaret Cho's recent 37-city tour, which ended with a career triumph at Carnegie Hall.

Being gay bashed and left in a corn field in rural America takes an unusual turn when one of the bashers returns with remorse and a secret.

A fairly close remake with considerable fascination of its own, Laura Nix's debut feature The Politics of Fur resets Rainer Werner Fassbinder's 1973 lesbian grand guignol The Bitter Tears of Petra von Kant in the contempo L.A. music biz.

This epic documentary traces the 30-year evolution of women's music, from the lesbian folk singers who gave rise to Olivia Records in the 1970s to the dyke punk rock grrrl bands who brought mosh pits to Michigan in the '90s.

Replay is a moody story of passion and deceit that will constantly keep you guessing. Emmanuelle Béart and Pascale Bussières are beautiful and convincing as two former childhood friends whose heated reunion leads to some sexy and seriously dangerous drama.

This is the life of Roberta, a secretary who is laid off from her job and is diagnosed with a deadly brain tumor on the same day. Alone on her last night on Earth, she phones Kevin, a bisexual hustler who advertises that “freaks” are his specialty.

Adapted from a novel by Mian Mian, Andrew Cheng's vid-shot drama Shanghai Panic offers a look at club kids doing drugs and each other in an urban milieu well off the tourist maps.

Director Isaac Julien delivers an impressionistic antidote to the passionless, guilt-ridden AIDS awareness campaign conducted in Great Britain in 1987. This is Not an AIDS Advertisement blends an imaginative video style with strong political messages.

Tom Chomont's life unfurls in a style as unique as his own story. Found footage and archival film, home movies, photos and new video "stream past in a hypnot­ic rush, offering a subject whose skin is cinema, whose flesh and blood have been remade into the picture plane."