Hailed by PopcornQ as “The Hottest Lesbo Romance You’ve Ever Seen” All Over Me is a timeless coming of age story set amidst a fierce riot grrrl soundtrack. Claude and Ellen are 15-year-old best friends growin...

When butch plumber Corky (Gina Gershon) catches the eye of alluring femme (fatale) Violet (Jennifer Tilly), little does she know she’s about to be drawn into both a torrid affair and a high-stakes heist that will pit the pair against the mob. With crackling dialogue, luscious neonoir cinematography, and live-wire performances, Bound is a genre-reimagining joyride that keeps both the tension and the erotic heat rising through each crazily careening twist.

Eunice searches for Judith, her love, at highway gas stations. Her dangerous behavior frightens cashiers. Miriam, a hard-of-hearing woman, befriends her and joins the search, trying to reform Eunice but falling into darkness herself. Michael Winterbottom's startling debut stars Amanda Plummer and Saskia Reeves.

In her stunning American film debut, the singularly arresting Tilda Swinton stars as Eve Stephens, a ruthless, bisexual Los Angeles lawyer on the edge. As she struggles to balance her career ambitions, provocative sexual power games with both men and women, and a family crisis that threatens to derail everything, the increasingly unstable Eve is forced to confront her inner demons. 

A humorous, no-holds-barred autobiographical film about the director’s former career as a sex worker and his relationship with his Jewish family.

It’s Elementary: Talking About Gay Issues in School — which boldly turned the minefield of teaching about LGBTQ+ issues in elementary schools into a navigable playing field — was instrumental in bringing queer issues into elementary school curricula.

Jackson’s father died when Jackson was a boy, and his mother now shelters her son, not allowing anyone else into their lives. When Jackson discovers a world of men outside their mansion and starts dating a cute cop, he is forced to decide. Remain a protected child or accept the risks of the outside.

“Bondage is freedom.” Leather demonstrates that this seemingly self-contradictory statement holds true for aficionados of BDSM in Hardy Haberman’s short 1995 black-and-white film.

Loose Ends is a funny and melancholic farewell to innocence. It juxtaposes straight and lesbian relationships in order to discover and dwell upon their similarities and differences.

Želimir Žilnik took advantage of new permissiveness to produce this raunchy, raucous, and disarmingly tender blast from Belgrade’s queer underground about two trans sex workers, Merlin and Sanela, who view turning tricks as an act of political protest.

Saro Franzese is twenty years old and has been called to do his military service. He is assigned to the 14th battalion of helicopter-transported assault infantry, an elite, highly specialized unit. He is an open boy and finds everything he experiences to be a great game.

The Salt Mines explores the intimate personal lives of Sara, Gigi, and Giovanna, three Latinx trans women who for years have lived on the streets of Manhattan supporting their drug addictions through sex work.

Harry, Billy, and Dean are three hustlers at different stages in their careers. All must deal with the realities of their profession. One falls in love with a client, another enters deeper into denial, and another begins to learn the ropes.

A group of homosexual people try to live with dignity and self-respect while events build to the opening battle in the major gay rights movement.

Trevor offers a compelling portrait of an “about-to-be queer” junior high school boy, circa 1981. As he unabashedly discovers his own gayness, so do his school friends, marking the painful point that often gay people are “outed” by peers much earlier than expected.

During an explosive clash of cultures, two men of war meet at the edge of death. When love intervenes, hate retreats, freeing them to enter a passionate new world of possibility and understanding. Until one day...

The ever-charming African American writer/director/actor Cheryl Dunye stars as an aspiring documentary filmmaker researching the life of an obscure black Hollywood actress from the 1930s (“The Watermelon Woman”). In her singular “Dunye-mentary” style, Dunye interweaves direct-to-camera storytelling and faux-documentary with a smartly observed fictional tale of lesbian life and love in contemporary Philadelphia...