In her classic indie polemic on racism, sexism and socialism, director Lizzie Borden definitely has her own ax to wield — and grind. On the tenth anniversary of the United States’ Social Democratic War of Liber...

A man attempts to wander through the labyrinth of desire through a virtual reality program on his computer. From public restrooms and '50s sports fantasies to '80s clones and sailors in dark alleys, the entire alphabet of gay erotic fantasies unfolds on the screen. But what place does desire have in this brave new virtual world?

The Dead Boys’ Club is the story of a young man in a world haunted by the absence of an entire generation of men that have gone before him. It’s a generation that he should have known but, because of AIDS, is one that he can only imagine, in this seminal short by Mark Christopher.

Not only one of cinema's great lesbian films but also one of the essential book-to-screen adaptations, Desert Hearts brings Jane Rule's 1964 novel to life against the stunning backdrop of the American desert.

Flaming Ears is a pop sci-fi lesbian extravaganza set in the year 2700 in the fictional burned-out city of Asche that follows the tangled lives of three women. Spy is a comic book artist whose printing presses are burned down by Volley, a sexed-up pyromaniac. Seeking revenge, Spy goes to the lesbian club where Volley performs every night.

Young, naive Smitty is sent to prison for six months and bunks with other convicts, specifically quiet cocky bully Rocky. Eventually Rocky offers protection to Smitty for a price and Smitty becomes a most reluctant sexual slave.

A sixteen-year-old boy's life changes when he starts attending a new school and explores his budding sexuality.

The plot's simple: two straight all-American boys play sissy to dodge the draft; they move into a swishy all-gay L.A. apartment complex, and a comedy of misunderstanding ensues. The Gay Deceivers is like Love, American Style on drugs; it's lurid, weird, and unintentionally funny.

Christopher Munch’s boldly original debut, The Hours and Times, is a fictional account of what might have happened in April 1963, when John Lennon and Beatles manager Brian Epstein traveled to Barcelona for an extended weekend getaway.

Commission for Channel 4, a short film included in a European compendium on the theme of Love.

This couple-on-the-run romance follows two HIV-positive lovers — hustler Luke & film critic Jon — who, with nothing left to lose, embark on a violent cross-country crime spree, with homophobes as their primary target in Gregg Araki's seminal New Queer Cinema film.

Produced by Tom Rubnitz in collaboration with Tom Koken and Barbara Lipp, The Mother Show is a tribute to mothers everywhere, starring Frieda, the “living” doll. Frieda asks her mother a series of questions, such as “Mom, are there days when you feel not-so-fresh?” and spells out the meaning of the word “mother.”

A gay poet, a bisexual sailor, and a straight waitress embark on a trip through an American desert landscape in this languid, woozy road movie — the first feature by Greek auteur Constantine Giannaris.

Featuring enlightening interviews with Angela Davis, June Jordan, and Alice Walker, this essential documentary is an exuberant celebration of Black American women and their achievements.

Beginning with a gay bashing in the backstreets of Sydney, this award-winning film uses gesture, dance and interior monologue to explore the repercussions of this act of violence.

In Mark Rappaport's new tape Rock Hudson's Home Movies, Rock, played by a Rock-alike, journeys through an array of cleverly-edited clips and fesses up to the homosexual connotations.

This spoof of The Roman Spring of Mrs. Stone (1961) centers on all of the female characters being portrayed by drag queens in indomitable i.e. very broad drag queen style, and that the film is presented largely as a silent movie.

A smart, hilarious, and self-reflexive look at the sexuality of a young Black lesbian.

The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. Who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the investigation, trial and final fate of the two men.

In this big-budget rock-and-roll fable, two adolescent girls — tough, street-wise Nicky (Robin Johnson) and timid, intellectual Pamela (Trini Alvarado) — meet and give each other the courage to follow their different destinies.

Tricia’s Wedding is the world-famous Cockettes’ irreverent reenactment of First Daughter Tricia Nixon’s nuptials to Edward Cox on June 11, 1971.

The filmmaker muses on the slang term of the title: is it who you do, or what you do?