A man attempts to wander through the labyrinth of desire through a virtual reality program on his computer. From public restrooms and '50s sports fantasies to '80s clones and sailors in dark alleys, the entire alphabet of gay erotic fantasies unfolds on the screen. But what place does desire have in this brave new virtual world?

The Dead Boys’ Club is the story of a young man in a world haunted by the absence of an entire generation of men that have gone before him. It’s a generation that he should have known but, because of AIDS, is one that he can only imagine, in this seminal short by Mark Christopher.

Not only one of cinema's great lesbian films but also one of the essential book-to-screen adaptations, Desert Hearts brings Jane Rule's 1964 novel to life against the stunning backdrop of the American desert.

Flaming Ears is a pop sci-fi lesbian extravaganza set in the year 2700 in the fictional burned-out city of Asche that follows the tangled lives of three women. Spy is a comic book artist whose printing presses are burned down by Volley, a sexed-up pyromaniac. Seeking revenge, Spy goes to the lesbian club where Volley performs every night.

Christopher Munch’s boldly original debut, The Hours and Times, is a fictional account of what might have happened in April 1963, when John Lennon and Beatles manager Brian Epstein traveled to Barcelona for an extended weekend getaway.

Commission for Channel 4, a short film included in a European compendium on the theme of Love.

This couple-on-the-run romance follows two HIV-positive lovers — hustler Luke & film critic Jon — who, with nothing left to lose, embark on a violent cross-country crime spree, with homophobes as their primary target in Gregg Araki's seminal New Queer Cinema film.

A gay poet, a bisexual sailor, and a straight waitress embark on a trip through an American desert landscape in this languid, woozy road movie — the first feature by Greek auteur Constantine Giannaris.

Beginning with a gay bashing in the backstreets of Sydney, this award-winning film uses gesture, dance and interior monologue to explore the repercussions of this act of violence.