Four new video works from the legend herself Barbara Hammer.

Three highly intellectual, highly sexual, visually playful digital works, charged with humor and political power. Barbara Hammer plays with the tools of digital processing mixing up the ‘straight love story’ by queering love and seduction through pixels gone astray.

A beautifully ambiguous study of the nude in light and movement, this short silent film focuses on the dimly lit bodies of two women shot from Child’s distinctly non-male perspective.

A cat's inquisitive look interferes with the pleasurable sensations of a boy while masturbating.

Michael Wallin's Decodings is a profoundly moving, allegorical search for identity from the documents of collective memory, in this case, found footage from the '40s and '50s.

Close-ups of lovers caressing and images of nearly motionless nude males are presented as a collage.

Get out your western wear and time-travel back to 1985, when this unabashed big-screen lesbian romance made its landmark debut. Sure, a few star-crossed lesbian vampires and sad divorcées had been featured in mainstream movies before Desert Hearts, but when Donna Deitch adapted Jane Rule’s novel and put lesbian passion on explicit display, she made lesbian cinema history.

Roger Stigliano’s Fun Down There follows a week in the life of Buddy, a naif who arrives in Manhattan ready to fall in love. Stigliano’s debut film is a distinctive and offbeat first feature, a precursor to the New Queer Cinema movement.

Gently Down the Stream is constructed from fourteen dreams taken from eight years' worth of my journals. The text is scratched directly on to the film so that you hear your own voice as you read. The accompanying images of women, water, animals, and saints were chosen for their indirect but potent correspondence to the text.

From the platonic cave to post-punk, the tape traces the invisible and visible references to women who love women from prehistory to contemporary times with the sarcastic sound of the ’50s lesbian quartet from Seattle, the Sluts from Hell.

Identifying himself intimately with serial killer John Wayne Gacy, the director uses the camera to take hold of the actors, constructing fantasies that lead them to believe they are the victims in a film yet to be made. The young men, aged 19 to 26, speak from the heart about love and prostitution. Their search leads us into another world.

Three Los Angeles, California, couples in their mid-twenties spend a weekend wandering the city’s night streets and hanging out in the apartment of their host, a failed filmmaker named Michael. The second feature film from Gregg Araki.

Stephen Frears was at the forefront of the British cinematic revival of the mid-1980s, and the delightfully transgressive My Beautiful Laundrette is his greatest triumph of the period.

A mesmerizing erotic poem, Pink Narcissus focuses on the daydreams of a beautiful prostitute who, from his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves and leather-clad bikers.

In this Oscar-winning short film, our unemployed hero finds that getting a great job depends a lot on whom you choose to dance with at Ray's Male Heterosexual Dance Hall.

Based on the shojo manga The Heart of Thomas, this ethereal Japanese melodrama has achieved cult status for its brilliant melancholic exploration of the shifting attractions between four boys at an isolated country school.

Equating broadcast television and sugar desserts as empty, non-nutritive substances, T.V. Tart seduces the viewer's eye with electronic colors as bright as candy.

Eight years after Taxi zum Klo, Frank is back, and his life is anything but under control. He is still madly in love with men; he's always short on money; and he has just been tied up and robbed by a hustler. On top of everything, his mother thinks it's high time he kissed his idle ways goodbye and started thinking about holy matrimony...

Frank Ripploh’s groundbreaking autobiographical debut offers a vivid, uncompromising portrait of queer life in West Berlin at the dawn of the 1980s. Welcome to the aftermath of Frank Ripploh — school teacher, film director, and insatiable sex addict!

Two Bad Daughters posits play as subversive activity, a sabotage of the patriarchal institutions of psychoanalysis and sadomasochism through video image processing, changing the subject/object relationship in psychoanalysis, and interrupting and reconstructing the paraphernalia of S&M sexual practice.

A pre-Madonna primer that raises questions about race, sex, and subcultural style, Voguing: The Message traces the roots of this gay Black and Latino dance form, which appropriates and plays with poses and images from mainstream fashion.