Three highly intellectual, highly sexual, visually playful digital works, charged with humor and political power. Barbara Hammer plays with the tools of digital processing mixing up the ‘straight love story’ by queering love and seduction through pixels gone astray.

From the platonic cave to post-punk, the tape traces the invisible and visible references to women who love women from prehistory to contemporary times with the sarcastic sound of the ’50s lesbian quartet from Seattle, the Sluts from Hell.

Equating broadcast television and sugar desserts as empty, non-nutritive substances, T.V. Tart seduces the viewer's eye with electronic colors as bright as candy.

Two Bad Daughters posits play as subversive activity, a sabotage of the patriarchal institutions of psychoanalysis and sadomasochism through video image processing, changing the subject/object relationship in psychoanalysis, and interrupting and reconstructing the paraphernalia of S&M sexual practice.