Mehrad is a 20-year-old queer from the upper-middle-class Tehran. Despite the social practices of his class, he decides to deal cocaine in his underground party community and today, he’s going to buy 200 grams of cocaine for the first time.

Since 1982, police have weaponized Louisiana’s Crime Against Nature by Solicitation (CANS) law to terrorize queer/trans Louisianians. CANS Can’t Stand follows a group of Black trans women in New Orleans who are fighting to repeal that law.

Lina and Inès do not know each other, yet they have one thing in common: parkour. From roof to roof, from wall to barrier, the two teenagers scope each other out with mutual admiration, but every time they try to get closer, something manages to interfere.

During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.

The factory where Romain and Adémar work has caught fire, so they decide to enjoy three days of idleness together in the mild summer.

Revitalizing practices kept from their elders, Peskotomuhkati youth lead an intergenerational process of healing through athasikuwi-pisun, “tattoo medicine.”