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Kenneth Anger, self-described "left-handed fanatic craftsman," is one of the most brilliant and influential American avant garde filmmakers. Since his 1947 film Fireworks, a startling and humorous homoerotic fantasy he filmed in his Hollywood home at age 17, Anger has been in the forefront of the underground film move-ment. While several of his films have been lost or destroyed, those that exist are dazzling, evocative works concerned with magic, ritual, popular icons, sexuality, religion and mythology.
Calling his lifework the "Magick Lantern Cycle" (a reference to the dawn of cinema, when every film was an experiment), Anger attempts to cast a spell over the audience with his films, films which reflect his worship of the spirit of Lucifer, "Lucifer created his own light show in heaven", writes Anger. And with typical humor, "Eventually he was expelled for playing the stereo too loud."
Program I contains Fireworks, Rabbit's Moon, Eaux d'artifice, and Inauguration of the Pleasure Dome.

A woman dressed in an elegant period dress wanders through the water gardens at the Villa d'Este.

A landmark of both experimental and queer filmmaking, Kenneth Anger’s film is a bizarre, disturbing dreamscape of violation, rape, and homoerotic sadomasochism.

Historical, biblical, and mythical characters gather in the pleasure dome and become part of a visual feast of superimposed images, hallucinations, and decadence.

Pierrot waxes romantic, entranced by the moon. Harlequin appears and bullies him, then uses a magic lantern to project an image of Columbine. Pierrot tries to court the illusory Columbine unsuccessfully, then enters a mystical moon-realm from which he returns dead.