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Before million-dollar acquisitions of lesbian debut features, before three-picture deals and Oscars for queer Columbia University Film School grads, gay and lesbian filmmakers had few filmmaking opportunities, let alone distribution options. This program features early works by directors who either got their start at Frameline or who allowed their film to be distributed by Frameline because they shared a belief in the work we do. The '70s is a program of shorts produced in the 1970s. Combined, they are a collection of bitterΒ sweet reflections on childhood and adolesΒcent sexual identity. Jan Oxenberg'sΒ (Thank You and Good Night) Home MovieΒ is found footage of a family with a voice-over comΒmenting wryly on schoolgirl images: cheerΒleading, dating, first crushes.Β ChildrenΒ by Terence DaviesΒ (Distant Voices, Still Lives;Β The Long Day Closes)Β is less playΒful, reflecting on domestic and social violence and the conflict between religion and sexualΒity. Renowned Israeli director Amos Guttman'sΒ (Amazing Grace)Β first short film,Β A Safe Place,Β explores a high school boy's struggle with his emerging gay identity.

A man with a boring lonely life remembers his childhood of bullying, Catholic school, and the death of his abusive father from illness.

Using her familyβs home movies and her talent for parody, Jan Oxenberg gives herself a cheerful lesbian childhood. "The thing I liked best about being a cheerleader was being with the other cheerleaders... the football match was just an excuse."

Acclaimed Israeli director Amos Guttman's first short film explores a high school boyβs struggle with his emerging gay identity.